Dàn ý cảm nhận khổ thơ thứ 7 trong bài Việt Bắc (hay nhất)

Instructions for making an outline Outline feeling the 7th stanza in the Viet Bac song Short, detailed, best. With the outlines and sample essays compiled and compiled below, students will have more useful materials for studying literature. Let’s refer!

Outline feeling the 7th stanza in the Viet Bac song


– Introducing the author and his work

– Introduction of the excerpt

Post body:

* The first two sentences: Overview of nostalgia.

– Flowers and people are the most beautiful things in the mountains and forests of Viet Bac. “Flower” is the way of art to represent nature and is also a part of nature.

In the nostalgia of the returnee, flowers and people are two co-existent images, reflecting on each other. Flowers are the most beautiful image of nature; Humans are a wonderful product of nature. Therefore, when remembering people, flowers appear, when remembering flowers, people’s shadows appear, praising the beauty of people who stay.

* The following eight sentences: A rich, brilliant and fresh picture of nature in Viet Bac symbolizes the beauty of the four seasons:

– First of all, the winter picture with “Green forest with bright red banana flowers”:

– Winter appears in a cold color – the quiet green background of the old forest evokes a peaceful, quiet, remote country… On that cold background, a warm color of “” scarlet banana flower” (here can be associated: the red color of banana flower suggests symbolic meaning of the red color of the newly rekindled revolution, like dispelling the thousand-year cold of winter mountains and forests).

– Next, the spring picture with “Dream blooms in white forest” – a spring filled with the white color of apricot flowers evokes the gentleness, purity, purity, and dreaminess of creation. The two words “white forest” like This is an image rich in realism but with a hint of symbolic meaning: it seems to evoke the pure beauty in the soul of the Vietnamese people in the North. It can be said that the white color of apricot flowers is the typical color of the mountains and forests of Viet Bac.

– The picture of summer that appears in the nostalgia of travelers has not only colors, lines, light but also the echoing sound of cicadas calling summer: “cicadas call for forest beat…”. Cicadas call for summer, when summer comes, the amber forest changes color. Living in Viet Bac, people often have feelings of sadness before the strange images of amber forest: in the late spring days, flower buds are still hidden in the trees. interstitial leaves. When the ticks sound, they burst into yellow flowers. The use of the word “fall” is quite subtle, emphasizing the sudden rapidity of the transition of trees and leaves, it expresses the power of the rain of yellow flowers when the wind blows, the cicadas call for summer.

– The set of four seasons painting ends with an autumn picture: an autumn night with moonlight shining through the canopy of leaves creates a fanciful scene. This scene is suitable for revealing the secret mind for revealing the secret feeling for the end of love songs. The poem evokes a peaceful and quiet atmosphere, signaling the beginning of a peaceful life. The verse also evokes the harmony between nature (autumn forest) and the universe (moon) with a peaceful and joyful life in the harmony of benevolent hearts between those who go and those who stay.

* Pictures of Vietnamese people:

Next to the nostalgia for nature is the nostalgia for the people of Viet Bac. Humans are images that are always interwoven, interlaced and in harmony with nature. After each verse about flowers comes the verse about people. Humans are closely attached to nature, making nature less wild and more soulful. In the midst of sexy nature, people appear so idyllic, lovely and always attached to labor:

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– The image of a person in winter appears with a proud posture and posture in labor “waist knife”; Spring is associated with the gentle, industrious hands of the girls “grabbing each strand” (the image is like a slow-motion movie scene, not only helping the reader to clearly see the lines, shapes, and movements of the laborers). action, but also see thoughtful, cautious and meticulous thoughts in each work).

– The image of “The girl picking bamboo shoots alone” in the summer evokes industriousness, hard work, patience and at the same time evokes the vast space of the mountains and forests of Viet Bac.

– Remembering the North Vietnamese, people who come back still remember the “singing of faithful love”. It is the soul, the emotion of people who are hard working, hard at work, quietly carrying in themselves the vibrations and emotions before heaven and earth, before life.


– Outline the problem.

Outline feeling the 7th stanza of the Viet Bac poem (photo 2)

Sample essay Feeling the 7th stanza in the best Viet Bac song

“Viet Bac” – a six-eighth poem with the stature of a 150-verse long epic, feeling immense. The poem was born in October 1054, the day Hanoi was liberated. Through the poem, To Huu expressed passionately the love of Viet Bac, the love of revolution and the resistance war.

The ten-sentence verse below, from verses 43 to 52 in the poem “Viet Bac”, shows a lot of loyal and loyal nostalgia for Viet Bac:

“When I come back, do you remember me…

Who remembered faithful love singing grace”.

The first two verses are the question and answer of “ta”, of the resistance cadre who returned, and asked him “do you remember me”. Even though we are going back and forth, we are far away, but our hearts are still attached to Viet Bac: “When I return, I miss the flowers with you”. The word “ta”, the word “remember” is copied to show a loyal heart. That nostalgia is towards “flowers and people”, towards the nature of the mountains and forests of Viet Bac and the people of Viet Bac:

“I’m back, do you miss me,

I about, I remember the flowers to him”.

The two words “me – ta” appear at high frequency in the poem, as well as in these two verses, beautifully expressing the love of the couple in the love of Vietnam and North, at the same time making the poetic voice become as eager to recover as the love song of the past. That is the lyrical tone and national character in To Huu’s poetry.

The next eight verses, each pair of hexagons, express a specific nostalgia for a particular scene, a specific person in the four winters, spring, summer, and autumn.

Remember winter, remember the “green” color of the mountains and forests of Viet Bac, remember the “bright red” color of banana flowers like the flames lighting up the green forest. Remember the people who go to the fields to go to the fields “knife in the waist” in a strong and heroic posture standing on the high pass “sunshine…”. The knife of the person who goes to the fields reflects “sunshine” very sexy:

“Green forest, bright red banana flowers

The high pass in the sun and the light of the belt buckles.”

The “green” color of the forest, the “bright red” color of the banana flower, the sparkling color of the “sunshine” from the knife; Those colors harmonize with each other, highlighting the potential and intense vitality of the Viet Bac nature, of the Viet Bac people who are mastering nature and mastering life during the resistance war. To Huu had a discovered view of the spiritual strength of collective mastery of our people brought about by the revolution and the resistance war. Production workers are heroic standing on the “high pass” flooded with sunshine and wind. When the crowd went to the campaign, “the footsteps were crushed and the flames flew away”. The soldier who went to battle brought the invincible power of the new era:

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“Mountains can’t hold their shoulders up

Camouflage leaves ring with the pass wind”.

(“To the Northwest”)

Remembering the spring day of Viet Bac is remembering the plum blossom “blooming in the forest”. The word “white” is a color adjective that is transformed from the type to the complement “blooming white forest”, evoking a world of apricot flowers covering all the forests of Viet Bac in pure white and immense. To Huu’s use of talented words reminds us of Nguyen Du’s verse describing a poetic and virginal spring in “The Tale of Kieu”:

“The young grass is green to the horizon,

There are some blossoms on the white pear branch”.

Remember “dreaming of white forest”, remembering the craftsman knitting hats “wiping the forest yarn Giang”. “Put” means to shine on the thin strands. With ingenuity, patience and meticulousness, it is possible to “grow each yarn” to knit into hats and hats to serve the resistance, so that the soldier who goes on a campaign can have “the star of the gun and the hat” . The hat-knitter mentioned by the poet represents the talented and creative beauty of the Viet Bac people. Viet Bac Spring is memorable:

“In spring, the forest blooms white,

Remember the person who knits the hat and sharpens each yarn.”

Remembering Viet Bac is remembering the summer with the sound of cicadas making forest music, remembering the yellow color of the amber forest, remembering the girl who “picked bamboo shoots alone” in the middle of the bamboo forest, bamboo forest:

“Cicadas call the forest to pour gold,

Miss my sister picking bamboo shoots alone.”

An ingenious “pour”. The sound of cicadas pouring down “pours” down, prompting the summer day to pass quickly, making the forest more golden. Xuan Dieu also has a verse that uses the word “pour” to convey a similar feeling: “Pour the emerald sky through the leaves…” (Poetry of Charm – 1938). The verse “Remembering my sister picking bamboo shoots alone” is a unique verse, rich in rhyme and tone. There is a back rhyme: “Girl” rhymes with “picking”. There is alliteration through the consonants “m”: “mang – one – me”. These are poems that should paint music, create a beautiful and fun art space, full of sounds. “The little sister picking bamboo shoots alone” still doesn’t feel alone, because she is working among forest music, picking bamboo shoots to contribute to “raising troops” to serve the resistance. The girl picking bamboo shoots is a youthful and loving feature in To Huu’s poetry.

Remember summer and then fall in Viet Bac, remember forever, remember the thousand moon, remember the song:

“The moonlit autumn forest shines peace,

Who remembered faithful love singing grace”.

The old moon was “golden sow the water of the trees in the courtyard”. The North Vietnamese moon in Uncle Ho’s poetry is “ancient moon with the shadow of a flower cage”. The resistance cadres returned to their homes to remember the North Vietnamese moon in the middle of the autumn forest, the moon “shining” through the green forest foliage, the cool, cool, poetic “peaceful” color of the moon. “Who” is a personal pronoun, “remember who” is to remember everything, about all the people of Viet Bac, rich in loyalty, who sacrificed themselves for the revolution and resistance war.

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This poem is full of love. The eagerness to recover seems to penetrate deeply into the scenery and people’s hearts, when people return, I miss me, I miss myself. That love is so deep, so many loyal affections. The years will pass, those songs of faithful love will forever be like a crimson lipstick imprinted in people’s hearts.

The poem has the beauty of a unique quartet picture, imbued with national style. The beginning of the resistance war against the French colonialists was the winter of 1946, in the autumn of October 1954, the capital Hanoi was liberated – To Huu also expressed his nostalgia for Viet Bac through four seasons: winter – spring – summer – collection, following the flow of history. Each season has its own beauty full of vitality: the green of the forest, the bright red of banana flowers, the white of apricot flowers, the yellow of the amber forest, the peaceful blue moon. The nature of Viet Bac in To Huu’s poetry is very charming and classically beautiful. The people mentioned are not fisherfolk, tieu, soup, and moth, but the one who goes to the fields, the one who knits hats, the sister who picks bamboo shoots, who is singing faithful love. All of them show the good qualities of the Viet Bac people: industriousness, mastering nature and mastering life at work, patience, ingenuity, talent, youthful optimism, love of life, kindness. loyal to the revolution and resistance.

A sweet poetic voice, earnestly reviving the reader’s soul. The nostalgia mentioned in “Viet Bac” as well as in this verse shows a beauty in To Huu’s poetic style: civic and nationalist lyricism, classical colors and modernity are combined in one way. harmonious way.

Beautiful, rich, sexy image. An artistic space full of vitality, with lines, sounds, colors, light, harmonious structure, leaving a deep impression in our souls as Uncle Ho wrote: “The forest scene Viet Bac is really good…”

True poetry “is an image, an image…, from a tangible it awakens immense invisibles” (Nguyen Tuan). The above poem evokes in our hearts the love of Viet Bac, pride in the country and people of Vietnam. The poem “beats forever on a message heart”, let us love, we remember the love of Viet Bac, the love of the resistance war.

So, Trinh Hoai Duc High School provided some basic outlines as well as some good sample essays Outline feeling the 7th stanza in the Viet Bac song for students to refer to and be able to write a complete sample essay. Good luck with your language studies!

Posted by: Trinh Hoai Duc High School

Category: Grade 12, Literature 12

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